I finally got around to reading the exhibition catalogue for the recent Tate Britain exhibiton ‘Now You See Us: Women Artists in Britain 1520-1920’, which ran from 16 May to 13 October 2024. I went to see it on its final weekend. The exhibition was expansive, and I spent far too long in the earlier sections, reading all the info panels. Once I got about halfway through I was feeling very tired....
One of several small (7x5in) oil portraits I’ve been working on, painted mainly in one sitting from photo references. This one was painted in a couple of sittings. Portrait, oil on panel, 5x7in, Thalia, April 2024 So was this one, I think. Portrait, oil on panel, 5x7in, Thalia, April 2024 This also took more than one sitting to finish. Portrait, oil on panel, 5x7in, Thalia, June 2024 I remember doing this one in one go....
Yesterday, while the coronation parties were meant to be in full force, my republican self went to see the ‘Berthe Morisot: Shaping Impressionism’ exhibition at Dulwich Picture Gallery. I had been reading about Berthe Morisot in my current read, ‘The Story of Art Without Men’, and was pleased to see that there was an exhibition of her work on display locally. It was a small show, with Morisot’s works mainly confined to the mid-1870s to 1880s, alongside works by other artists who apparently were an influence on her work....
I documented the stages of a recent painting I made from a photo reference. I started with a monochrome underpainting in raw umber. The second stage of underpainting, Thalia 2023 The first stage of underpainting, Thalia 2023
As I’m moving from this area soon, I’ve been doing some sketches and paintings of the views from the windows. This is a small oil on linen panel that I made the other day. A few months ago I painted a different view. I really struggled with perspective as that is one of my weak points. View from window, oil on panel, Thalia 2023
On a visit to the National Gallery a couple of months ago, I picked up a book on Holbein from the shop. I can’t remember the name of it and can’t find it online – it’s currently packed ready for our house move. Anyway, I was struck by Holbein’s portrait of his wife Elsbeth (born Binzenstock) in the painting ‘The artist’s family’ from c.1528. She just looks so much like a real person and also so expressive, sad even....
There is a new exhibition in Malmo called ‘Lotte Laserstein: A Divided Life’ which features Laserstein’s paintings from both her Berlin and Sweden eras. This is unusual as her later Swedish work is usually not featured – somehow it’s seen as less ‘important’. Laserstein fled Germany at the start of the war as she was part Jewish. Obviously the upheaval of moving from what was a burgeoning successful career in Berlin to having to start again in Sweden where Laserstein didn’t know anyone, would have had a tremendous impact on her work, and I was interested to see her Swedish works....